hotel würzburg residenz
Structure of the day_Wurzburg Residence
A masterpiece of German Rococo...
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A masterpiece of German Rococo, the Residence was commissioned by two prince-bishops, the brothers Johann Philipp Franz and Friedrich Karl von Schon born, as an Episcopal palace. Its construction between 172 0 and 17 44 was supervised by several architects, including Johann Lukas von Hildebrandt and Maximilian von Welsch. However, the Residence is mainly associated with the name of Balthasar Neumann, the then young and unknown creator of its remarkable Baroque staircase.
ROCOCO STYLE
The Residence is such a fine exam pie of German Rococo that it had a style named after it Wurzburg Rococo. Typical of this style are the vast ffompe-1' oil painted ceilings and large, domed rooms. The term Rococo is derived from the French word rocai!le, meaning "rock-work," a decorative trend for both interiors and facades featuring abstract, shell-like forms and curves. Trees, flowers, and Chinese scenes were among the most popular motifs. Stucco craftsmen and woodcarvers became as revered as architects and painters for the quality and splendor of their work.
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FRESCO DETAILS
Tiepolo was not without a sense of humor on the Treppenhaus fresco he included a portrait of the architect Balthasar Neumann dressed as an artillery officer and with his dog by his side.
Hoflcirche
The interior of the court chapel (1743) is richly decorated with paintings, sculptures, and stucco ornaments. The side a Ita rs were designed by the architect Johann Lukas von Hildebrandt and feature paintings by Giovanni Battista Ti epolo.
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Imperial Hall
The centerpiece of the palace, the sumptuous Kaisersaal features 20 half columns in red stuccowork, each almost 29ft (9 m) high, and a large oval dome. The three ceiling frescoes by Tiepolo testify to the close relationship between Wurzburg and the Holy Roman Empire.
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THE PATRONS
Many of those involved in the building of the Wurzburg Residence were members of the Schonborn family, a powerful 18th-century dynasty of princes and electors on the rivers Rhine, Maine, and Moselle. Among them was Johann Philipp von Schonborn, who became prince-bishop ofWurzburg in 1719. He was succeeded by his brother, Friedrich Karl, one of the chief instigators of the Wurzburg Residence project. The brothers engaged renowned architects and painters from all over Europe for what was to become a GesamtkunsiJNerk-a unique synthesis of various branches of the arts into a total experience. The Residence was devastated by a fire during World War II and underwent a painstaking 27 mi IIi on-dollar reconstruction program between 19 50 and 1987. Today, 40 rooms are open to the public, with a splendid array of 18th-century furniture, frescoes, tapestries, and other treasures.
Wurzburg .
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